Wednesday, December 3, 2008

Real Gone




Real Gone

I’m american made, bud light, Chevrolet
My momma taught me wrong form right
I was born in the south; sometimes I have a big mouth
When I see something that I don’t like
I gotta say it

Well, we´ve been driving on this road
For a mighthy long time
Payin' no mind to the signs
Well this neighborhood's changed
It's all been rearranged
We left that dream somewhere behind

Slow down, you´ gonna crash
Baby you are a screaming
It's a blast, blast, blast
Look out you got your blinders on
Everybody is looking for a way
To get real gone, real gone
Real Gone

But there's a new cat in town
He's got high faded friends
Thinks he's gonna change history
You think you know him so wel
lYeah you think he's so swel
lBut he's just perpetuating prophecy
Come on now

Slow down, you are gonna crash
Baby you are a screaming
It's a blast, blast, blast
Look out you got your blinders on
Everybody's lookin' for a way
To get real goneReal gone
Real gone
Real gone
OH

Well, you can say what you want
But you can't say it 'round here
'Cause they'll catch you and give you a whippin'
Well I believe I was right
When I said you were wrong
You didn't like the sound of that
Now did ya?

Slow down, we're gonna crash
Baby you were screamin'
It's a blast, blast, blast
Look out, you've got your blinders on
Everybody's lookin' for a way
To get real gone

Well here I come, And I'm so not scared
Got my pedal to the metal
Got my hands in the air
Well look out, you take your blinders off
Everybody's lookin' for a way
To get real gone, real gone
Real Gone
OH!
Real Gone
Real Gone.




Posted By Toño Perez Castañeda

RECORDING AND READING "ADDING UP THE MANY DANGERS OF TOBACCO" (PODCAST)

http://www.manythings.org/voa/scripts/2008-12/VOA_Special_English_2008-12-01_-_Adding_Up_the_Many_Dangers_of_Tobacco_--_and_Finding_New_Ones.html

BEAUTIFUL LIAR LYRIC

BEAUTIFUL LIAR
(Beyonce and Shakira)
Ay, Ay, Ay
Nobody likes being played
Beyonce, Beyonce
Shakira, Shakira (hey)

He said I'm worth it, his one desire
I know things about 'em that you wouldn't wanna read about
He kissed me, his one and only, (yes) beautiful Liar
Tell me how you tolerate the things that you just found out about

You never know
Why are we the ones who suffer
I have to let go
He won't be the one to cry

(Ay) Let's not kill the karma
(Ay) Let's not start a fight
(Ay) It's not worth the drama
For a beautiful liar
Can't we laugh about it
(Oh) It's not worth our time
(Oh) We can live without 'em
Just a beautiful liar

I trusted him, but when I followed you, I saw you together
I didn't know about you then 'till I saw you with him again
I walked in on your love scene, slow dancing
You stole everything, how can you say I did you wrong

You never know
When the pain and heartbreak's over
I have to let go
The innocence is gone

(Ay) Let's not kill the karma
(Ay) Let's not start a fight
(Ay) It's not worth the drama
For a beautiful liar
Can't we laugh about it
(Oh) It's not worth our time
(Oh) We can live without 'em
Just a beautiful liar

Tell me how to forgive you
When it's me who's ashamed
And I wish could free you
Of the hurt and the pain
But the answer is simple
He's the one to blame

(Ay) Let's not kill the karma
(Ay) Let's not start a fight
(Ay) It's not worth the drama
For a beautiful liar
Can't we laugh about it

(Oh) It's not worth our time
(Oh) We can live without 'em
Just a beautiful liar

BEAUTIFUL LIAR VIDEO

http://www.youtube.com/watch?v=wISKe3zoBSw

Tuesday, December 2, 2008

GIVE IT 2 ME MADONNA


Give It 2 Me -
What are you waiting for?
Nobody's gonna show you how
Why work for someone else
To do what you can do right now?
Got no boundaries and no limits
If there's excitement, put me in it
If it's against the law, arrest me
If you can handle it, undress me
Don't stop me now, don't need to catch my breath
I can go on and on and on
When the lights go down and there's no one left
I can go on and on and on
Give it to me, yeah
No one's gonna show me how
Give it to me, yeah
No one's gonna stop me now
They say that a good thing never lasts
And then it has to fall
Those are the the people that did not
Amount to much at all
Give me the bassline and I'll shake it
Give me a record and I'll break it
There's no beginning and no ending
Give me a chance to go and I'll take it
Don't stop me now, don't need to catch my breath
I can go on and on and on
When the lights go down and there's no one left
I can go on and on and on
Give it to me, yeah
No one's gonna show me how
Give it to me, yeah
No one's gonna stop me now
Pharrell: Watch this
Get stupid, get stupid, get stupid, don't stop it (What?)
Get stupid, get stupid, get stupid, don't stop it (What?)
Get stupid, get stupid, get stupid, don't stop it (What?)
Get stupid, get stupid, get stupid, don't stop it
Get stupid, get stupid, get stupid, don't stop it
(To the left, to the right, to the left, to the right)
Get stupid, get stupid, get stupid, don't stop it
(To the left, to the right, to the left, to the right)
Get stupid, get stupid, get stupid, don't stop it
(To the left, left, right, right, left, left, right, right)
Get stupid stupid stupid stupid stupid stupid stupid...
(Left, left, right, right, left, left, right, right)
Don't stop me now, don't need to catch my breath
I can go on and on and on
When the lights go down and there's no one left
I can go on and on and on
Give it to me, yeah
No one's gonna show me how
Give it to me, yeah
No one's gonna stop me now
You're only here to win
Get what they say?
You're only here to win
Get what they do?
They'd do it too
If they were you
You done it all before
It ain't nothing new
You're only here to win
Get what they say?
You're only here to win
Get what they do?
They'd do it too
If they were you
You done it all before
It ain't nothing new
Give it to me, yeah
No one's gonna show me how
Give it to me, yeah
No one's gonna stop me now
Give it to me, yeah
No one's gonna show me how
Give it to me, yeah
No one's gonna stop me now
Give it to me

IN MY PLACE (with lyrics)

UNAM: THE CENTRAL UNIVERSITY CAMPUS 2nd Draft

UNAM: THE CENTRAL UNIVERSITY CAMPUS
(CIUDAD UNIVERSITARIA’S CENTRAL CAMPUS)
Do you study at Ciudad Universitaria (University City) of the UNAM? It is supposed you know the History of that amazing place where you are studying or working, or furthermore, because you are Mexican. Don’t you? You are on time to read a little about Ciudad Universitaria of UNAM, the place where you spend the most of your time everyday. Have you ever asked yourself when was your school built? Or maybe who painted the murals on some of the buildings in Ciudad Universitaria? In this article you will found some basic information that an university student, professor or worker of UNAM should know.
The old university was located since the sixteenth century in the Centro Histórico (Historic Center) of Mexico City, in the same place where later was built the Suprema Corte de Justicia. In Benito Juarez’s time, that seat was closed and the schools were established in some ancient buildings around the Centro Histórico, such as the Escuela Nacional de Medicina (Medicine National School) occupied the old Inquisition Palace, the Engineering School in the Mining Palace, the ancient Law School in the Santa Teresa la Antigua’s cloister, etc. When Justo Sierra founded the New University, in 1910, where added others seats like the Saint Charles Academy, in other words the Architecture School, and Philosophy and Letters School and Science School. The main idea of Justo Sierra was the “spatial unity” of the University. But it was until the middle of the 1940’s when the University Council argued about the construction of the CU. On December the 31st in 1945, the Congress approved the Law of the Foundation and Construction of CU. In its planning, CU was devised to be of use for 25,000 students, as well as professors and the staff work. However, CU has lost none of its functional character today, even tough now the Cu’s population it is over 150,000.

UNAM Identity
Coat of Arms
During Director Jose Vasconcelos term in office, the University received the current design of its coat of arms, which shows a Mexican eagle and an Andean condor, a two-headed bird, protecting a Latin American map, from Mexico's north border to Cape Horn, a representation of the unification of Latin America people: "Our new and old continent, predestined to include the fifth race, a cosmic race, melting those scattered, and offering unity."

Goya Cheer
The origins of the Goya cheer are a little bizarre. In the early 1940s, a very skinny boy, Luis Rodriguez, was attending Preparatory School, who through time became the most enthusiastic cheerleader. He was nicknamed "Palillo" (stick). Palillo arranged entrance to the theaters for some students, who preferred watching movies than going to school, with the movie theaters' supervisors. The movie theaters close to the Preparatory school were: Rio, Venus and Goya. When some students wanted to go to the movies, they shouted out Goya! That is the story behind the university cheer, which now all university members echo.
¡GOYA! ¡GOYA!¡CACHUN, CACHUN, RA, RA! ¡CACHUN, CACHUN, RA, RA! ¡GOYA! ¡¡UNIVERSIDAD!!
The Ciudad Universitaria ensemble

The Ciudad Universitaria ensemble was designed by architects Mario Pani and Enrique del Moral. The CU, as most people call it, rises up above a sea of volcanic lava, where the volcano Xitle, today extinct, engulfed 2,400 years ago, and has been instrumental in the major urban growth that Mexico City has known in the second half of the 20th century: since the beginning of its construction, avenues have come into being, others have been enlarged, like the Insurgentes Avenue, one of Mexico City’s most emblematic.
The Central Campus encloses in a main east-west axis and other secondary north-south axis: the Rector Tower in the center; The Central Library, The Philosophy and Letters School, The Law School, The Economy School and The Odontology School in the northeast; The University Olympic Stadium in the west; The Architecture School, The Engineering School, The Chemistry School, The Courts (built with stone like the ancient Mesoamerican pyramids) and Sports Fields in the southeast; The Humanities Tower II (The ancient Science School) and the called “Islas” in the middle; and finally The Medicine School in the East.
The Central Library is the main symbol of UNAM. The author of that beautiful building is a Juan O’Gorman’s work, who was architect and painter. The most important character of the Library is the huge mural that covers its four facades. That is, the building has four murals with these themes: The north wall tells about the Prehispanic Past, the south wall the Colony Past, the east wall the Cotemporaneous World, and finally the west one about the University and Modern Mexico. All the murals are made with multicoloured stones from different regions of the country.
Another symbolic building is the Rector Tower which has three painted murals by a famous Mexican painter, David Alfaro Siqueiros. These murals include the painting, besides the sculpture. Others knowing murals in CU are the one of the Medicine School by Francisco Eppens, the one in the Audience “Alfonso Caso” made by José Chávez Morado and the ones which are located in the Stadium, work by Diego Rivera.
The University Olympic Stadium used for the 1968 Olympic Games and the 1986 FIFA World Cup, resembles a volcano surging out the of the earth. Like other CU buildings, it was constructed with volcanic stone from the Xitle. It was designed by the architect Augusto Pérez Palacios. In addition to Diego Rivera decorated its façade with a high-relief multicoloured mosaic symbolizing the homeland, peace, university and sports.
The Central Campus provides a space for leisure. Its platforms, talus and staircases, and the opened spaces remind the Mesoamerican cities, such as Teotihuacan , Monte Albán, Palenque and many others.
Through the time, many buildings were annexed. For example, the Centro Cultural Universitario which includes the Sala Nezahualcóyotl, Psychology School, Accountancy and Administration School, The new Science School, The Political Sciences School, The CELE (Centro de Enseñanza de Lenguas Extranjeras), The CEPE (Centro de Enseñanza Para Extranjeros), many Institutes, departments and museums like the Universum, the MUCA (Museo de Ciencias y Artes) and the new MUAC (Museo de Arte Contemporáneo).
The CU is a very big successful for The Mexican Plastic Arts owing to its wonderful architecture, sculpture and painting. The architecture of the Ciudad Universitaria is so admirable that all of those who are not students or are part directly of the University identify with it. Despite their mistakes, CU is an extraordinary construction, is an amazing place we have to learn to appraise and preserve.

JESUS/ADELA/SANDRA GROUP 605